What is a book?
Technically, a book is simply a specific format of information. Theoretically, though, a book is a substantial collection of information. The codex format, which is the structure of modern books, allows for a lot of information to be gathered and presented together. Usually books take a while to research and write, so they often present established or developed information on a field, topic, or question. They may have developed out of a research article or articles, which come to form the chapters of the book, with an introduction and conclusion, which provide background information and a matured analysis of the information. Due to the nature of publication, the information is probably several years old before it is printed. As well, the publisher has considered the work of the author as being worthy of being published; based on the reputation, agenda, and audience of the publisher, this could be because the information is reliable, maintains the status quo, or is controversial, sensational, or appealing.
A monograph is a material in which information is presented in a single resource. It is a discrete source of information, as opposed to an ongoing source of information, like a serial. A book is the most common example of a monograph.
A primary text is original text written in the course of life. The text of a literary work, poem, diary, newspaper article, etc. are all examples of primary texts.
A secondary text is text written about and around primary texts. Commentaries, introductions, notes, discussions, etc. are secondary texts.
A transcript is an exact reproduction of a primary text, including any marks, punctuation, errors, oddities.
A facsimile is a reproduction of a manuscript, book, map, piece of art, etc. which accurately replicates the scale, materials, color, condition, etc. of the original resource. A partial facsimile is a reproduction of only part of a resource. Facsimiles are used by researchers who cannot access the original resource, and by libraries and museums to allow a form of access to resources while preserving the originals.
A critical edition is an authoritative, edited edition of an original text in its original language. These works are composed by a respected scholar and expert on the text, and are composed of the edited text, extensive background information, annotations, explanations, and discussions of the latest scholarship. In some cases, the critical edition presents a single, whole text. With many medieval texts which are fragmented and exist in multiple manuscripts, for example, this is impossible. Instead, a critical edition of such texts either selects a variant or combines the variant texts into a re-constructed "original" text. Research on a text should use a critical edition, if one is in existence. Critical editions provide a wealth of information, as well as an authoritative text. However, research and analysis using a critical edition should also note any limitations of a critical edition, if it is a partial or re-constructed version of a text.
A translation is a material which presents a text in a language different from that in which the text was originally written. Translations exist on a spectrum of literal to interpretive. Some translations convey each word exactly from one language into another. Some convey the same meaning, emotion, and intent, while recognizing and utilizing the structure and nature of different languages.
Transcripts, critical editions, and translations are accompanied by editorial notes which explain the choices and reasons which the author made in presenting the material, and help the researcher understand exactly what information they are being presented with and how it was produced.
Books of Folklore Materials
Both folklore itself and discussions of folklore have been collected as ethnographic accounts or collections of songs or tales that are published in monographic form.
Individuals have been collecting folktales, for example, since antiquity. Early extant examples of folktale collections include the Arabic ألف ليلة و ليلة [One Thousand and One Nights] (c. 900), the Welsh Y Llyfr Gwyn Rhydderch [The White Book of Rhydderch] (c. 1350) and Y Llyfr Coch Hergest [The Red Book of Hergest] (c. 1400), the Italian Le Piacevoli Notti Di M. Giovanfranscesco Straparola da Caravaggio [The Pleasant Nights of M. Giovanfranscesco Straparola da Caravaggio] (1551-1553) by Giovanni Francesco Straparola, and the French Contes de ma Mère l'Oye [Mother Goose Tales] (1607) by Charles Perrault. In the nineteeth-century, the collection, and in many instances annotation, of folktales became a wide-spread phenonmenon and it began to develop into a scholastic endeavor.
Publishers such as Oxford University Press and Penguin Classics consistently produce excellent editions of texts which are suitable introductions to folktales. These texts are edited, and translated if appropriate, by prominent scholars and contain background materials, copious notes, and often excerpts or discussions of some of the most recent scholarship. Anthologies in English translation are a useful introduction to a number of folktales. They are appropriate to use in initial analysis. However, for more advanced research, the texts of the folktale variants should be studied and analyzed in the languages in which they were originally written. In addition, a number of collections of tales have been compiled for the general populace. Frequently beautifully illustrated, these works select and compile a wide variety of tales in countless combinations. These latter sources do not cite the original sources of the tales; they are not for scholarship but for entertainment. However, they themselves can be studied as manifestations of cultural ideas about fairytales.
An Anthology of Russian Folk Epics
James Bailey & Tatyana Ivanova, editors
1998
Norse Myths
Kevin Crossley-Holland
1980
The Original Folk and Fairy Tales of the Brothers Grimm
Jacob Grimm & Wilhelm Grimm
1812
Celtic Fairy Tales
Joseph Jacobs
1892
The Fairy Books of Many Colors
Andrew Lang
1889 - 1913, 12 volumes
See also: Selections in Nineteenth Century Collections Online
The Classic Fairy Tales
Maria Tatar, editor
1999
One Hundred Favorite Folktales
Stith Thompson, editor
1976
The Classic of Poetry
Chu Binjie, editor
1999
Irish Fairy and Folk Tales
William Butler Yeats
1918, c2003
The Great Fairy Tale Tradition
Jack Zipes, editor
2001
The Nibelungenlied
A.T. Hatto, editor
1969
The Saga of the Volsungs
Jesse L. Byock, editor
1990
The Saga of King Hrolf Kraki
Jesse L. Byock, editor
1998
The Prose Edda
Snorri Sturluson
c. 1220
The Mabinogion
Sioned Davies, editor
2008
For a more accessible, modernized translation written in collaboration with a playwright, try The Four Branches of the Mabinogi, by Celtic Studies scholar Matthieu Boyd (a Ph.D. graduate of Harvard's department of Celtic Languages and Literatures). This volume is especially recommended for newcomers to the Mabinogion.
One Thousand and One Nights
Malcolm C. Lyons & Ursula Lyons, editors
2007
African Folktales
Paul Radin, editor
1964
Cajun and Creole Folktales
Barry Jean Ancelet
1994
Worldwide Folktale Collections, continued
Worldwide Selection:
- See the "Collections of Folktales" sub-page of this guide, which has a particularly strong selection from Europe, among other regions.
- Black Short Fiction and Folklore: from Africa and the African Diaspora
Aims to be an in-depth collection of African and African-Diaspora stories. When complete, it will feature the English-language literature of more than 15 countries, with additional units of French and Portuguese literature from the African continent.
- To supplement the above, see the following (or search HOLLIS by region for items sharing similar subject heading terms with these):
Africa:
- African Folktales: Traditional Stories of the Black World (compiled by Roger D. Abrahams, 1983)
- Black Short Fiction and Folklore: from Africa and the African Diaspora
Aims to be an in-depth collection of African and African-Diaspora stories. When complete, it will feature the English-language literature of more than 15 countries, with additional units of French and Portuguese literature from the African continent.
East Asia:
- Myths and Legends of China (translated by E.E.C. Werner, 1922; 1994)
- Folk Tales from Korea (collected and translated by Zŏng In-sŏb, 1952; 1982)
Europe:
- See the "Collections of Folktales" sub-page of this guide, which has a particularly strong selection from Europe, among other regions.
- Myths and Legends of the Celtic Race (by T.W. Rolleston)
Thomas William Hazen Rolleston (1857-1920) was an Irish writer, literary figure and translator known for works that spanned a wide range of literary and political topics. He wrote Myths and Legends of the Celtic Race in 1911 in an attempt to revitalize what he felt was a waning appreciation for the heritage of all Celtic peoples. Perhaps the best representation and description of all the legends, myths and spiritual histories of Ireland, Britain and Wales, this collection includes the stories of Ultonian and Ossianic cycles, the voyage of Maeldum, and the myths and tales of the Cymry (Welsh). Rolleston also provides the fantastic narratives of Cuchulain, King Arthur, Deirdre, the Grail, and many more. This book is also available online via Project Gutenberg.
North and South America:
- African American Folktales: Stories from Black Traditions in the New World (compiled by Roger D. Abrahams, 1985; 1999)
- Tales of the North American Indians (compiled by Stith Thompson, 1929; 2013)
- HOLLIS results for the following search:
South Asia:
- The Jātaka, or, Stories of the Buddha's Former Births (translated and edited by E.B. Cowell, 1895-1907)
- The Kathā Sarīt Sāgara: or, Ocean of the Streams of Story (Somadeva Bhaṭṭa, 11th Century; translated by C.H. Tawney, 1880-[87])
- The Oral Tales of India (collected and translated by Stith Thompson and Jonas Balys, 1958; 1976)
- Tales from the River Brahmaputra : Tibet, India, Bangladesh (Tiziana and Gianni Baldizzone, 1998)
Southeast Asia: